Truth and Beauty in Black, Mingei International Museum

‘Truth and Beauty in Black’ permanent art installation commissioned by Jennifer Luce of Luceetstudio for the reopening of the Mingei International Museum in San Diego in September 2021. Creation took 3 years, including research in collaboration with Artechne into the complex and intriguing colour Burgundian Black that goes back to a medieval recipe that has been rediscovered and reconstructed by Studio Claudy Jongstra. 

At first glance, the colour appears completely monotone black, after closer examination intensely rich variations begin to reveal themselves. 

The 36-foot long and 5-feet high artwork is located in the newly renovated Bistro of the Mingei International Museum providing a warm, softening, yet contemporary element to the space acting also as an acoustic divergent, dampening sound. 

Jongstra’s ‘Truth and Beauty in Black’ aims to engage with the museum’s diverse collection in order to inspire a renewed appreciation for the historic interconnectivity between humanity, material, culture and environment.

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Title: "Truth and Beauty in Black"
Mingei International Museum, San Diego, USA
Photos by Paul Rivera for New York Times and Team Mingei
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Tangible Transformation III at Salon del Mobile, Milano

Claudy Jongstra's imposing travelling artwork Tangible Transformation III has touched down on an international stage for the first time: in Milan during Salone del Mobile. As part of ROOTS exhibition at Masterly, in the Palazzo dei Giureconsulti, the expressive wool-felted landscape depicts an exuberant manifesto for a hopeful future full of colour and biodiversity. The composition of flowers, waving foliage and Dutch skies is brightened by the colours that splash off: the indigo blue of woad, the yellow of sunflowers, the reddish pink of corepsis the red of madder root. Whoever is in Milan; this is the chance to see the landscape in which the richness of nature is fully celebrated.

TT III at ROOTS, Masterly, 16 t/m 21 April 2024
Palazzo dei Giureconsulti, Piazza dei Marcanto 2, Milano

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Tangible Transformation III
Studio Claudy Jongstra, 2023
Materials: Drenthe Heath sheep and Spanish merino wool, mohair, silk, hand spun yarns
Natural dyes: Demeter certified woad, sunflower, corepsis, madder root, calendula, walnut shells
Techniques: felting, dying, embroidery 
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De Lakenhal X LOADS Collection X Claudy Jongstra

The long-standing collaboration between Claudy Jongstra and Museum De Lakenhal gets another boost as the museum celebrates its 150th anniversary on 1 May with the presentation of 'Celebrate the Flavours of Wool', the new art work Claudy Jongstra specially commissioned by Museum De Lakenhal, which will be unveiled on 1 May 2024. The newly acquired work is a follow-up to Jongstra's 2020-2021 exhibition at the museum. Back then, the artist created the impressive monumental installation NINE, a weaving of over a hundred square metres in shades of blue and black, which referred to the colours of the Leiden Cloth. Tanja Elstgeest, director of Museum De Lakenhal: "Claudy Jongstra is an internationally renowned artist, who already showed in that earlier exhibition how well her work suits us. With her love of wool and knowledge of centuries-old techniques, she makes the connection between Leiden's past as a city of the cloth industry and the present.' The custom-made Celebrate the Flavours of Wool that will adorn the stairwell also literally connects the ground floor of the old Laecken-Halle and the floor where Leiden's textile history is presented. 

The more than six-metre-long work is made of ecological wool from Drenthe Heath Sheep and Spanish merino wool, which was already imported from Spain in the 17th century for the production of cloth. Jongstra uses various techniques such as weaving and felting the sheep's wool, which is dyed with natural colour pigments, including her famous, complexly obtainable Burgundian Black palette and warm deep reds and oranges. She also uses different shapes and closed and semi-transparent layers. The title refers to the celebration of the knowledge underlying the production of naturally dyed wool and all the scents, colours and flavours the work holds. In addition, the artwork constitutes a call for a more diverse, inclusive and ecologically just model within the textile industry. 

Also a very special kimono from the new LOADS Collection will be presented. The LOADS NNL#4 is a mix between a modern trench coat and a Japanese kimono and is based on the fabric Nieuw Leids Laken #4, which Jongstra presented at the museum in 2020, simultaneously with a major solo exhibition in collaboration with guest curator Suzanne Oxenaar. Here, Jongstra showed Woven Skin, Cosmic Cry and NINE, among others. The brand new kimono that bears the hallmark 'Nieuw Leids Laken', is of high quality both in terms of fabric and contemporary technique, and the artistry of the makers Claudy and Jesk Jongstra. They created a contemporary translation of the handmade woolen cloth that flourished in Leiden seven centuries ago. For the design of the fabric with flower and leaf patterns called 'Woven Herbarium', Jongstra drew inspiration from six dye plants she found on Vlieland in 2018, such as honeysuckle and lady’s bedstraw.

For LOADS Collection, they collaborated with the best specialized experts in the Netherlands such as with EELabels who weaved the organic woolen fabric and master taylor Hetty den Brok of Atelier Eykerdel.

Fabric NLL#4 is available by the metre in the museum shop of De Lakenhal, as well as the kimono and other designs from the LOADS Collection.  info@loadscollection.com

Photos LOADS Collection marcelvandervlugt

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Art pieces for reception desks Truist Center

Studio Claudy Jongstra was commissioned to create several art pieces that are integrated into the lobby reception desks that greet employees and visitors at the entrances of Truist Center in Charlotte, North Carolina. The warm earth tones of the natural dyes are inspired by the geology and hydrology of Charlotte. Especially the golden hues of onion skins represent Charlotte’s rare and valuable gold deposits.
Each of the three artworks are a foundation for positive interaction and enduring connection that warmly welcomes the community to the bank and fosters an economy of care.
Also in Jongstra's vision, the materials, process and artworks are part of an economy based on caring for people and the planet. Claudy Jongstra's colourful and vibrant monumental felted artworks from Drenthe Heath Sheep's wool whose colors are distilled from natural dye plants like madder root and woad, celebrate the abundance of nature. The eye-catching art pieces contribute to an inspiring environment and the wool softens and humanizes the large architectural space with its tactile, warm and acoustic qualities. 
The commission was facilitated by Hodges Taylor, an art consulting firm based in Charlotte, on behalf of Truist Bank.
@annareggio

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Claudy Jongstra at restaurant Blue Hill New York

Using natural colours and textures, Studio Claudy Jongstra created extraordinary works of art as tasteful dishes on the farm table of co-owner and award-winning chef Dan Barber's top restaurant Blue Hill at Stone Barns in New York. She created an installation with five themes: the materials were dyed with walnut shells, rhubarb, onion, sunflower and Burgundy Black whose medieval colour recipes were composed with so-called 'waste materials' obtained by foraging. Jongstra evidently used much of the restaurant waste such as onion peels, but also from other crops from Blue Hill's horticulture, matching the contemporary dishes with local ingredients mainly from its own garden.
The rich installation is complemented by a table runner from Studio Claudy Jongstra's LOADS Collection, made in collaboration with Sekem in Egypt, which grows high-quality Demeter-certified cotton. The installation is a natural and atmospheric complement to the revolutionary, ecological farm-to-table ethos behind every ingredient in every dish.

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Photo's Amber Heeke
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Tangible Transformation II at EENWERK gallery

Tangible Transformation II is part of Cycles of Growth, an unique collaboration between Studio Claudy Jongstra and @eenwerk_gallery in collaboration with @galeriefontana. Specially for this beautiful space the artist created the monumental felted art piece Tangible Transformation II as the eye catching center piece in vibrant shiny and warm colours. The plant based dyes are very locally sourced: in the greenhouse above the gallery Claudy Jongstra and partner Claudia Busson planted the seeds last spring. Gallerist Julius Vermeulen took care of the plants and the studio harvested the flower buds of plants such as coreopsis, sunflowers and calendula and let them dry in the sun. At Studio Claudy Jongstra the wool was dyed with these plant pigments as well as from biodynamic farms @entheos_bio in Spain and @debeerschehoeve in Brabant.

Tangible Transformation II is part of a series of travelling monumental artworks Jongstra created as a visual manifesto with powerful eco-political messages. Tangible Transformation serves as a conversation piece for an alternative future: it calls for awareness and action to protect our ecosystem. She said, "Working with the amazing material wool is not about nostalgia but about innovation. We use wool and dye plants from both Spain and the Netherlands, creating new communities to vitalise farming life. Together, we are creating a new future." 

 

Tangible Transformation II and other smaller new works by Claudy Jongstra
20 January - 30 March 2024 

EENWERK Gallery

Koninginneweg 176

 

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Tangible Transformation II, 2023
Studio Claudy Jongstra
Drenthe Heath sheep wool, Spanish heritage merino wool, mohair, silk, handspun yarns
Demeter certified woad, sunflower, calendula, coreopsis, madder root, walnut
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FAD Talk Barcelona with Claudy Jongstra

A new FAD Talk session starring artist and activist Claudy Jongstra on the occasion of the exhibition "Pastoral Futures. Wool Migrations"by MATERFAD, which can be visited at the Disseny Hub Barcelona until January 21 2024. In front of his mural Tangible Transformation I, an impressive tapestry the size of her previous Guernica de la Ecología that frames and oversees the set of pieces displayed at the exhibition, Jongstra speaks with Robert D. Thompson Casas, scientific director of MATERFAD, about shepherding for environmental balance, as well as together cultivating plants to create natural dyers just as our ancestors did. She also explains her artwork and the creation process that she follows.

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Washed Ashore and Lost & Found for Bankside Hotel London

Studio Claudy Jongstra and LOADS Collection's fruitful collaboration with Bankside Hotel in London aligns with the hotel's sustainability commitments. Drawing from her sustainable art practice, Jongstra developed 'Washed Ashore' and 'Lost & Found' for the hotel’s Art Yard restaurant, bar and private dining room. Both series of artworks refer to the 'mudlarkers', a type of beachcombers who collected and sold objects washed ashore along the Thames as treasures in the 18th and 19th centuries. In addition to the artworks in the public areas, the hotel’s seven signature suites feature textiles from the collection, including cushions and plaids. This design, too, refers to the banks of the Thames where trade was once conducted that provided the intercultural exchange between East and West. 

Prior to the opening on Wednessday the 12th of April by Philip Steiner of Bankside Hotel and the Embassy of the Kongdom of the Netherlands in Londen, Claudy Jongstra gives a Masterclass for Change to master students of Central Saint Martins College of Art and Design in Londen, among others.

In the studio of Studio Claudy Jongstra, the artist, master artisan Anneleen Reitsma and their team worked on realizing the new works over the past months. For Washed Ashore, a series of five semi-transparent wool-felted canvases, Jongstra drew rich inspiration from the history of Bankside's location: London's culturally vibrant South Bank on the banks of the river Thames. The window sheers enrich the hotel's Art Yard restaurant and bar. They give the space both a warm and protected feeling and contact with courtyard outside. Visually, the narrative works refer to the calm repeating blue-grey ripples of the majestic river and the bow wave the boats leave on the water's surface. At the same time, the works are about calm after the storm and confidently waiting for what is to come, surrounded by water, sky, and shore.  

Jongstra depicts this in compositions of felted wool from native Drenthe Heath Sheep and merino wool from the herds of Maria Pia Sanchez of La Dehesa farm in Spain. All pigment plants that are used to dye the wool are either grown in Jongstra's own botanical garden or at the biodynamic farms Entheos in Spain and De Beersche Hoeve in the Netherlands. The latter grows the indigenous Dutch woad plant that produces intense indigo blue hues. Sunflowers and Coreopsis provide the golden yellow hues, onion skins and walnut shells deliver shiny gold and madder root deep red accents. 

 Lost & Found  

Lost & Found was developed for the hotel's private dining room. The narrative works are about the hidden 'treasures' that ended up in the water and washed up on the banks. These objects were found by the 'mudlarkers', a kind of poor ‘beachcombers' who, in the 18th and 19th centuries along the Thames, carefully extracted the shiny objects from their hiding places as 'amateur archaeologists', collecting and selling them as precious gems.  

Thus, Claudy Jongstra drew inspiration from the rich history of the vibrant location surrounding the hotel. For centuries, the river Thames and its banks have been the scene of fishing boats sailing in with their catch of the day and large trading ships unloading products from all over the world. Those ships then transported new cargoes to faraway places on different continents. The banks were home to the most important food markets, some of which still exist, such as the Borough Market, which is found near Bankside Hotel. Here, spices, fibers, food, and artefacts were traded, and knowledge exchanged. Thus, the river has always been a lively center bringing together products and people from different cultures.  

 LOADS Collection in Bankside’s Signature Suits 

The exchange between different cultures is further reflected in the interior products, such as cushions and plaids in soft tones. These are specially designed for the hotel's seven suites. The carefully crafted exclusive interior products are crafted with the highest quality organic cotton. This fabric is sourced from the Demeter-certified cooperative SEKEM in the desert of Egypt, longtime working partners of Studio Claudy Jongstra. All fabrics are dyed with plant pigments from biodynamic farms De Beersche Hoeve in the Netherlands and Entheos in Spain, with which Jongstra also has a long-standing collaboration.  

Surrounded by the products handmade with love and care, the contemporary traveler and hotel resident will immediately feel comfortable at home in unfamiliar surroundings - far from home. 

 The Whitebox  

Bankside Hotel offers travelers culture, art and food, in keeping with the culturally vibrant South Bank that includes Tate Modern, Shakespeare's Globe, National Theatre and Borough Market. The Whitebox, the hotel's curated exhibition space, will feature two wool-felted artworks by Claudy Jongstra: 'The Waves' and 'Grey Rhythm'. Both works refer to the history of the site and the river surrounding Bankside Hotel. The works are part of its latest group exhibition in partnership with Bankside partners Degree Art & Contemporary Collective. “Nature's Imprint: A Journey Through Time and Art” aims to redefine and deepen the public's understanding alongside exploring the profound influence of sustainability in art and design. Showcasing a wide range of artworks that incorporate sustainable materials, biophilic elements, and designs inspired by various facets of nature, Claudy will exhibit amongst artists known for their nature-inspired and organically attuned works. The exhibition will launch at Bankside Hotel from 30th April, and run until Autumn 2024. 

For more information and/or images please contact: 

info@claudyjongstra.com 

info@loadscollection.com 

vivekavandevliet@claudyjongstra.com 

Bankside Hotel: emma.ross@cycashospitality.com

 

 

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banksidehotel
banksidehotelautographcollection
artyardbankside
Philip Steiner, Suzanna de Sitter, Jesk Jongstra, LOADS Collection
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Workshop Transformative ecosystems at Valldaura Labs

On 1 January 2024, artist and eco-activist Claudy Jongstra, organic food cooperative Odin and Galerie Fontana will launch the 'New Definitions' fund, aimed at promoting sustainable organic food production. To this end, Jongstra is creating a series of travelling, colourful landscape artworks entitled 'Tangible Transformations'. From the sale of each artwork, 10% will go to the new fund from which New Definitions will support regenerative agriculture projects. The artworks will have their own passport, specifying where all raw materials come from, how they were made and which will be indexed by location along with the resulting projects.

One of the first initiatives is the collaboration with Valldaura LABS in Barcelona, founded by renowned architect, ecological urban development experts and researcher Vicente Guallart. This inspiring research centre is located in the middle of the Collserola natural park and is dedicated to creating a self-sufficient living environment. Here Jongstra will give a workshop 'Transforming ecosystems' to master students and researchers from Valldaura Labs on 12 and 13 January 2024, including a debate on ecosystems that can offer a hopeful and resilient new future. 

valldauralabs iaac DisseneyHubBarcelona  entheosbio materfad eenwerk galeriefontana odlinfoodcoop

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Photos Valldaura Labs: Adrià Goula
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New Definitions & Tangible Transformations

Claudy Jongstra, organic food cooperative Odin and Galerie Fontana join forces. They will launch the fund 'New Definitions' on 1 January 2024. From here, it will support 'the art of changing direction', a movement against the disappearance of diversity and creativity on the land, in cuisine, culture and fashion. The fund's first goal is to support a patent- and genetic engineering-free organic plant breeding programme that will provide strong and free seed for sustainable organic food production. This will set up pilot fields with farmers who also want to contribute to change.

 

Especially for New Definitions, Jongstra is creating a series of travelling, monumental artworks with a landscape imagination, entitled Tangible Transformations. Tangible Transformations I can be seen until 14 January 2024 at the exhibition Furtures Pastorales at Museum Disseny Hub BarcelonaMatterfad. Tangible Transformations II can be seen at gallery EENWERK in Amsterdam from 20 January 2024. The third work will be presented for the first time during BioKennnis Week on 17 and 18 January 2024 in Den Bosch at Odin's stand. This last work is even more exuberant in its colourfulness while part of it is deliberately 'uncoloured'. It is still unfilled, naked, vulnerable: metaphorically ready for transformation!

The artworks are for sale; 10% of the proceeds will go to the new fund from which New Definitions will support regenerative agriculture projects.

 All works will have their own passport, specifying where all raw materials come from and how they were made. As the artworks travel around, the passports will be indexed at the various locations, along with resulting projects such as, for example, the collaboration with master students and researchers from Valldaura LABS in Barcelona and the Netherlands, where Jongstra will give a two-day workshop 'Transforming ecosystems' on 12 and 13 January 2024.

New definitions is supported by Iona Stichting.

 

Studio Claudy Jongstra

8 X 3.60 and 6 x 2.80 m

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Tangible Transformations I, II and III, 2023
Studio Claudy Jongstra
8 X 3.60 and 6 X 2.80 m
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